"... I would take the license to say that we must enter the wonderful Universe of Plastic, with the baggage of a deep, very deep knowledge, through a conscious, felt and meditated work, generated by years of daily work.

In every creation of this nature, there are two parallel currents that originate a conceptualism twinned with spirituality. One is the exterior architecture of the work in which the enclosure is located where the substance of the substance must penetrate, which is the other aspect and which must be the genetic and vital essence of artistic creation.

I point out that I want to find in MAN the axial element where I support the totality of my work. I must put, because I feel it, all my vitality in that center. I have tried to diagram my compositions through a distribution, a framework of architectural structuring because from the beginning, I have liked the sculptural organization. Taking the individual human figure or the groups framing them within my plastic field as if they were high reliefs, grouping them, braiding them as if they were all helping or pushing each other to free themselves on earth and look together for a star ... a dove or what we are looking for in our dreams . I am moved to emotion by the advance groups in search of what one wants to visualize in this Apocalypse or revelation that is Life and that, many times, having its own light, is confused and diluted in the night.

Once the work is created, we lavish it, not giving it a life of its own, but rather achieving a generalized trajectory and most importantly, it carries with it a message that despite the torture of my work, is always capable of creating another voice, the absent and hidden voice. that she entails ... "

– Carlos Walter Butin